Crash of Temporalities
新型コロナウイルス感染拡大の状況によって予定されている情報が変更になる可能性がございます。
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■Back and Forth Collective [Mei Homma, Natsumi Sakamoto, Asako Taki]
+Dr. Jen Clarke, Fionn Duffy and Sarah McWhinney (Scotland & Japan)
■Chris Hunter (Switzerland)
■Katharina Gruzei (Austria)
■Sena Başöz (Turkey)
■Sonny Square/ Yoshimi Takata (Japan)
■Terry-Dayne Beasley (Tokyo-resident Canadian)
■Tuli-Gal Litvak (UK)
2021年6月5日(土)-6月27日(日) 12:00-19:00 会期中無休
June 5 - June 27, 2021 12:00-19:00 Opens everyday throughout the period
このグループ展は6名の国内外アーティストと1コレクティブ(+ 3人のメンバー)の作品で構成され、パンデミック渦中で各国のアーティストが、何を体験し/考え/感じたのかを探究する試みです。誰もが否応なしにCovid-19の影響を受け、緊張と弛緩の絶え間ない波を地球規模で共有しています。そのような中、各作品がポリフォニックに交錯する本展は、コロナ禍により顕在化し、日々激しさを増す【孤立/分断/不寛容】に対して、今こそ【連繋/共感】の必要性を呼びかけています。最後に参加アーティスト達に心より感謝します。このプロジェクトは、彼らの理解・サポートなしには実現不可能でした。ありがとう:)
高田慶実 (企画/作家) http://youtu.be/h9Q3RQqhnK8
This group exhibition, consisting of works by 6 international artists + 1 collective (+3 members), is an attempt to explore the flow of their minds [thoughts/ feelings/ perceptions] at this hard time across the world. Like it or not, virtually no one can escape from the effect of Covid-19. We are all in it together, sharing this turbulent experience. Bringing together each of artists’ voices upon this global experiential platform, this show calls for ‘solidarity’ and ‘empathy’ against ‘isolation’, ‘division’ and ‘intolerance’ manifested and intensified by Corona every day. Lastly, I would like to show my sincere gratitude toward all participants: this project would not have been possible without your understanding and support. Thank you : )
Sonny Square (Curator/Artist) http://youtu.be/XRhrw4XjQXc
★作家略歴
■Back and Forth Collective [Mei Homma, Natsumi Sakamoto, Asako Taki]
+Dr. Jen Clarke, Fionn Duffy and Sarah McWhinney (Scotland & Japan)
https://www.fertileground.info/speculative-fiction-practicing-collectively.html
Biography
The respective artists are; Mei Homma, Natsumi Sakamoto, Asako Taki [Back and Forth Collective]
https://backandforthcollective.wordpress.com/
Dr Jen Clarke, Fionn Duffy and Sarah McWhinney.
Developed in 2020 this new collaboration includes multidisciplinary practitioners who work
internationally and collaboratively as well as independently and includes individuals who are caregivers.
■Chris Hunter (Switzerland) 'Orlando’ [9’58’’], 2020, Video
*1983 in Chur, lebt und arbeitet in Basel und Flims
2017 – 2019 Master of Arts in Fine Arts, HGK Basel
2010 – 2013 Bachelor of Arts in Fine Arts, HGK Basel
seit 2009 Assistenten für den Künstler/Ausstellungs-/Theatermacher Hans-Peter Litscher
■Katharina Gruzei (Austria) 4 photo-works of ‘EVERY SHADE AN IMAGE’ series (2020).
http://www.katharinagruzei.com
born 1983 in Austria
lives and works in Linz and Vienna
EDUCATION
2014 - Diploma in Fine Arts - Class for Experimental Art
Institute of Fine Arts and Cultural Studies, University of Art and Design Linz, Austria
2012 - Diploma in Cultural Studies
Institute of Fine Arts & Cultural Studies, University of Art and Design Linz, Austria
studies abroad
2006 - Studies of Fine Art
Art Department of the University of California, Santa Barbara, USA
2006/07 - Visual Culture Studies and Photography
Masterclass of Katharina Sieverding, University of Arts, Berlin, DE
■SENA BAŞÖZ (Turkey) ‘The Box’ (2020) [4’31”], The Outline (2020) [1’38”], single channel video
born 1980 in Izmir, Turkey
EDUCATION
2008- 2010 : Bard College – NY
Milton Avery Graduate School of the Arts MFA in Film/Video
1998 – 2002 : Boğaziçi University; Department of Economics - Istanbul BA in Economics
■Sonny Square/ Yoshimi Takata (Japan) ‘Cannot be Undone’, 2020 [19’10’’], ‘Rhythm of New Normal’, 2021 [18’38’’], Video
https://www.gallery.arttrace.org/artists/takata-yoshimi
Born 1980 in Japan, Lives and works in Tokyo
Education
1998–2001 University of Arts, London
2008–2012 Sophia University, Tokyo
■Terry-Dayne Beasley (Tokyo-resident Canadian) ‘Home Arrest’ , 2021, Site-specific Installation Piece
https://cargocollective.com/terrydayne
Education
2017 Emily Carr University of Art and Design, BFA
Majoring studies in Photography
Minoring studies in Social Practice and Community Engagement
■Tuli-Gal Litvak (UK) Untitled (Garden series 1,5,3) 2019 [5’55’’ in total], TILTING, 2020 [3’30’’] , and O(d)DE, 2020 [2’00’’] Video
Born 1991 in La Ceiba, Lives and works in London, UK
Education
2013–2017 BA (Hons) Fine Art
Central Saint Martins, University of the Arts London
BIO
Tuli-Gal Litvak uses performance, video and sculpture to explore ordinary psychogeographies.Ultimately I think of my performances as acts of light-hearted dérive; short interventions in my lived surroundings that both disrupt and encapsulate current sentiments shared across society. In her recent garden series, domestic-agricultural tools are weaponized, before transforming into absurdist instruments of therapy and self-care. Grooming rituals usually practiced within the walls of urban businesses now reappear, dislocated within the natural environment. Viewed together, a phantasmagorical sequence emerges which channels the anxiety of an age of looming ecological catastrophe into the micro landscape of an ordinary backyard. Her solo exhibitions include Latro Dectus, Youkobo Art Space (2018), For Your Eyes Only, Burlington Camden Space (2017). Group shows include The Garden, Ai Mi Tegai Online Showspace (2021), Lates: The Electric Forest, The Royal Academy of Arts (2017), This is an Art School, Tate Exchange (2017), Walking Backwards, Camden Arts Centre (2016) to name a few.